La fin des terres is a musical encounter between the two composers and instrumentalists Kasper T. Toeplitz (electric bass) and Reinhold Friedl (prepared piano).

The music is built around a double reflection on the architecture of time, on the creation, disappearance and mutation of textures, far more than on classical virtuosity or on an adaptation to the organological principles of piano and electric bass instruments.

Both musicians have long since abandoned the usual paths of their instruments to make them the tools of their compositional principles or options.